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مراكش تستضيف فعاليات الدورة الرابعة لمهرجان الشعر المغربي

Marrakech hosts the activities of the fourth edition of the Moroccan Poetry Festival

Ramallah – Dunya Al Watan
The House of Poetry in Marrakech is organizing the activities of the fourth edition of the Moroccan Poetry Festival, on November 11-13 in Marrakech. The fourth edition of the festival honors poet and researcher Ahmed Belhaj Ait Warham, Hassani poet Khadija Labidi Naha and Amazigh poet Mohamed Wakarr, in continuing to celebrate Moroccan cultural diversity. The winners of the two competitions: Best Poem and Poetic Criticism for Young Poets, Critics and Researchers, in its fourth session, will also be crowned.

The opening ceremony, which will be hosted by the gardens of Arsat Moulay Abdel Salam on Friday, November 11th at 4:30 pm, and which presents its media paragraphs, Ikram Al-Azraq, will witness the inauguration of the Huroufiat 7/7 exhibition, with the participation of seven artists in an exhibition organized during seven days, they are: Mohamed Teverdin , Abdel Rahim Hamza, Rashid Zizi, Arshkek Lamleih, Abdelilah Al Hilali, Abdullah Borka’a, Lahcen Al Farsiwi, while the calligrapher and researcher, Dr. Muhammad Al-Bandawi, presents these events. The opening evening will also witness, at five in the evening, poetry readings by poets: Abdel-Din Hamroush, Amina Lamrini and Mohamed Al-Saber, followed by a concert with the brilliant artist Magda Al-Yahawy, accompanied by the Jilali Emthered Band for Melhoun Art, in addition to the distinguished participation of the artist Rachid Zeroual by performing musical instruments on the flute.

The activities of the second day of the festival will continue, on Saturday, November 12, starting at ten in the morning, at the Sharkawy Iqbal Amphitheater at the Faculty of the Arabic Language in Marrakech, with the organization of the festival forum on the topic “Poetry and Questions of Diversity”, with the participation of critics and researchers: Saeed Al-Awadi, Montana Ma Al-Enein, Mubarak Abaazi. . The seminar is supervised by the poet Mourad Kadri, head of the House of Poetry in Morocco. Then, the pioneers of poetry will have a date with the second poetry session, within the “Diafa” segment, with the participation of poets: Muhammad Belmo, Dalila Fakhri, Asmaa Adali and Ed Bahy.

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Perhaps the selection, the focus of the festival’s symposium, “Poetry and Questions of Diversity” translates this founding will, which has always been present in the program of the Moroccan Poetry Festival sessions, to make cultural diversity, which constitutes the richness and fertilization of the Moroccan poetic experience, a horizon and a pure and creative identity for this qualitative cultural initiative.

The choice to think about the future is added, after the House of Poetry was established in Marrakesh, and through its celebration of the pioneers of Moroccan poetry, its generations, experiences, sensitivities and current issues, they wanted to think about cultivating questions of poetic writing among young poets and a basic age group and tributary to the future, namely children and adolescents.

The launch of the Best Poem and Poetic Criticism Awards for young poets, critics and researchers, is only inspired by bright lights and radiances that seek to link the past of Moroccan poetry with its present and future.

The lecture hall in Rawabi Hotel at 4:00 p.m. will witness the organization of a moment of dialogue with the honorees of the fourth session of the Moroccan Poetry Festival: Khadija Abedi Al-Naha; Ahmed Belhaj Ait Warham; Muhammad and repeat.

And he ensures that this paragraph is presented by the journalist and poet, Hassan bin Mansour. So that the poetry audience will move to the garden of Arsat Moulay Abdel Salam, at six thirty in the evening, where the poetic evenings will continue with the “Pulse of the Poem” segment, with the participation of poets: Noureddine Al-Zwaitni, Fatiha Morchid, Hassan Al-Wazzani, Boujemaa Al-Oufi, and the presentation of the poet and media figure Mustafa Ghelman, while the trio will be “House of the Oud Instrument”. ‘, in the musical accompaniment. Within the paragraph “Alphabets and Choreography”, the artist and poet Al-Saeed Abu Khaled interviews the artist and poet Abdullah Emah, within a fixed paragraph that establishes the depth of the dialogue of poetry and arts.

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The activities of the fourth edition of the festival will conclude on Sunday, November 13, in the lecture hall (Rawabi Hotel), with the organization of a “Moroccan poem” at ten thirty in the morning, with the participation of poets: Ismail Ait Idar, Abdelhak Adnan, Al-Salama Hamidi, Umm Al-Eid Adnani, in celebration of poets coming from The future, and the poet Badr Habol ensures that it is presented, while the artist Mina Jawawi participates in the musical accompaniment. This morning session concludes with the distribution of participation certificates for male and female users of Season 5 (2021/2022) for poetry writing workshops (for children, adolescents and youth), to more than 100 beneficiaries.

At 6:30 in the evening, the fourth session of the Moroccan Poetry Festival concludes in the garden of Arsat Moulay Abdel Salam, with the organization of a “Poetry Visions” segment with the participation of poets: Lahcen Lasaibi, Mounir Al-Idrisi, Zakia Al-Marmouk, Kamal Akali. Presented by the poet Maryam Al-Maimouni, and the artist, Wesal Hatem, with Mohamed Ait Al-Qadi and Yassin Al-Razi, she will light her artistic paragraphs. The “ABCs and Music” segment forms the closing ceremony of the festival, where the brilliant artist Nabila Maan and her band headed by Tarek Hilal will perform the final concert.

The fourth session of the Moroccan Poetry Festival, here in Marrakesh, after the House of Poetry in Marrakech was able to open last year the cultural and artistic events in Morocco, by organizing the third session of this festival, which constituted a title of hope. Today, through this horizon that triumphs over the leadership of poetry and its values, and the poet’s role in the societal fabric, and within the dialogue of poetry with the arts, as well as the desire to open Moroccan poetry to poetry’s issues and central questions, the house continues to win this open and plural Moroccan identity.

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